Some cameras have the power to change the conversation about its manufacturer. The Olympus E-M5, Fuji X100, Sony RX1 and Sony a6000 are examples of cameras that have each dramatically altered public perception of their manufacturers. I believe that the Samsung NX500, which was released just last week, will be the camera that puts Samsung on the map.
Techniques, Tools, Resources, Real World Gear Reviews and Flash Tutorials for taking better candid and family photos.
Showing posts with label comparison. Show all posts
Showing posts with label comparison. Show all posts
Wednesday, March 25, 2015
Tuesday, March 3, 2015
Sony E 16mm f/2.8 Review (Part 1)
This is a user review of the Sony 16mm f/2.8 (SEL16F28), a wide angle pancake lens for Sony E-mount, as used on the Sony a6000. I've had several ultrawide lenses for Nikon (Tokina 11-16, Sigma 10-20 3.5, Sigma 10-20 f/4-5.6, Tokina 10-17 fisheye) and the Samyang 2.8 fisheye for m4/3. Compared to those lenses, the 16 2.8 is unique because it can convert from a wide angle 24mm equivalent, to an ultrawide 18mm equivalent (with the VCL-ECU1 ultrawide converter), to a rectilinear fisheye (VCL-ECF1 fisheye converter). With the converters, it is like having 3 lenses in 1. Even better, the 16 2.8 and the converters are affordably priced. But how well do they perform? In this post, I will discuss the 16 2.8. In Part 2 of this post, I will discuss the two converters (Part 2 here).
3/4/15 UPDATE: Sony just announced the VCL-ECU2 ultrawide converter and VCL-ECF2 fisheye converter. Supposedly, the VCL-ECU1 and ECF1 were compatible only with the 16 2.8, whereas the ECU2 and ECF2 are compatible with both the 16 2.8 and the Sony 20 2.8. However, it appears that the only difference is that the ECU2 and ECF2 have a black finish that match the appearance of the 20 2.8.
3/4/15 UPDATE: Sony just announced the VCL-ECU2 ultrawide converter and VCL-ECF2 fisheye converter. Supposedly, the VCL-ECU1 and ECF1 were compatible only with the 16 2.8, whereas the ECU2 and ECF2 are compatible with both the 16 2.8 and the Sony 20 2.8. However, it appears that the only difference is that the ECU2 and ECF2 have a black finish that match the appearance of the 20 2.8.
Monday, January 26, 2015
Fuji X100S for Family Photos? A Candid Assessment
The Fuji X100S has been out for a while and there are already plenty of reviews for it. Instead of being a general review, this user review will focus on the X100s' suitability for family and candid photos. I will first discuss how a 35mm* lens is useful for candid shots. Next, I will discuss how the X100S is different from other 35mm lens/camera combinations. I will then discuss how the X100S performs. Of particular concern is whether it can capture fast-moving subjects (e.g. kids and pets). Lastly, I will also list some possible alternatives for those who are interested in this camera.
*By "35mm" I mean a lens and camera combination that has the same field of view as a 35mm lens on a full frame 35mm (36x24mm) sensor.
Yes, that's a shot of my daughter on a swing. But you shouldn't jump to the conclusion that the X100S is good for candid action shots. Because the truth is that capturing fast action on the X100S is possible but only under some circumstances.
Note: unless otherwise noted, the sample shots here were taken in raw, then converted in Lightroom, with minimal adjustments. Shots of the X100S itself were taken with the Stylus 1.
Monday, June 9, 2014
A Fun E-Mx Comparison
It has been a long time since my last post, and I am sorry for for not giving prior notice, but I have been traveling ever single weekend for the past month, and I still have a couple more weekends to go, this kills any spare time I have for posting here, but I am able to squueze some time to share a few fun photos with you. As you might notice, I don't have my regular signature on the photos, and the photos are larger than usual (do click them to see a larger version), the reason is that I have prepared all this post on the iPad, the collages in this post (with the grungy color effects below) were prepared using Autodesk's Pixlr+ app, resized to 2500px, and uploaded and posted using the Blogsy app.
Monday, April 30, 2012
Best Alternative to Nikon 24-70 2.8G: the Nikon 28-70 2.8D
Every Nikon shooter knows that the Nikkor 24-70 2.8G is the best standard zoom for Nikon's full frame cameras. However, at around $1900, it's not easily affordable. There are of course third-party standard zooms that cost far less, such as from Sigma, Tamron and Tokina, but their performance is not quite as good as that of the Nikkor 24-70.
One alternative that some newer Nikon shooters might not know about is the predecessor to the 24-70, the Nikkor 28-70 2.8D. It is no longer being sold new, but used prices are about half the price of the 24-70.
But is the 28-70 as good as the 24-70? In this post, I compare the 28-70 to the 24-70 and let you judge for yourself.
Friday, April 6, 2012
My First Crush: the Fuji S5 Pro
This is a hands-on review of the Fuji Finepix S5 Pro, a DSLR released back in 2007 that combines the best characteristics of negative film and DSLRs.
Included here is a dynamic range comparison between the S5, the Nikon D3 and Nikon D70.
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