Last year, I had a chance to visit the cathedral of Los Angeles, the Cathedral of Our Lady of Angels, which has amazing post-modern architecture. Here are some photos I took (click on any photo for a higher-res version).
Techniques, Tools, Resources, Real World Gear Reviews and Flash Tutorials for taking better candid and family photos.
Showing posts with label 11-16. Show all posts
Showing posts with label 11-16. Show all posts
Thursday, February 28, 2013
Friday, August 17, 2012
Preview of New LAX Terminal
Los Angeles International Airport is in the process of renovating its international terminal, partly to accommodate larger aircraft such as the Airbus A380. If you'd like to get a preview of what the new terminal will look like, check out the fly-through video (warning: 230+ MB) which uses the same autoCAD files that are used for the construction.
I had a chance to join a tour of the construction site. If you watched the fly-through video you might recognize some of the structures.
BTW for these shots I used the Nikon D90 and Tokina 11-16.
About the last shot - it was taken about 10 feet above the platform where we were standing. There were no ladders or other surfaces to climb on. Instead, I took it with the aid of a gadget that I will be reviewing next week. ;)
Have a great weekend!
Labels:
11-16,
airport,
construction,
d90,
lax,
los angeles,
nikon,
ultra-wide,
ultrawide,
wide angle
Tuesday, August 7, 2012
The Big Picture
We recently had a birthday party for our son. It was at a playhouse with large bounce houses and a play structure, with tall black ceilings (maybe about 30 feet high or so) and multicolored walls.

What lighting technique would you use in these circumstances? Hit the jump to see what approach I used.
Sunday, July 29, 2012
Capturing Epic Sunrises and Sunsets
Epic sunrise or sunset shots -- the kind where the sky is ablaze with hues of red, yellow and lavender -- don't happen purely by luck. We can't control the weather but we can pay attention to the kinds of conditions that are conducive to producing glorious sunrises and sunsets. Here are some techniques I learned for capturing sunrises and sunsets.
Sunday, June 10, 2012
Filters for Protecting Lenses: High-End vs. Budget vs. Dirt-Cheap
With digital photography, using filters to achieve special effects has become much less common, with the exception of neutral density filters, graduated ND filters, and circular polarizers. The other exception, with some controversy, is the use of filters to protect lenses. Typically, UV filters or sometimes skylight (warming) filters are used for this purpose.
In this post, we compare images from lenses without any filter, with a budget filter, and a high-end filter. The filters I tested were:
(a) a high-end filter, the Hoya HD Hardened Glass 8-layer Multi-Coated Digital UV Filter, around $70 for 77mm.
(b) a budget filter, the Hoya skylight filter (standard version, not multi-coated), around $20 for 77mm. Note: the skylight filter has a warming effect, so for purposes of this comparison, please take that into account as part of the filter design and not an inherent characteristic of budget filters.
I've also included a separate test for an ultra-cheap generic UV filter.
I tested the filters on two lenses:
(i) a flare-resistant lens, the Nikkor 24-70 2.8G on a Nikon D3; and
(ii) a lens that is [supposedly] susceptible to flare and ghosting, the Tokina 11-16 2.8 on a Fuji S5 Pro.
Both lenses use 77mm filters so I was able to use the same set of filters for the tests.
Hit the jump for the samples.
In this post, we compare images from lenses without any filter, with a budget filter, and a high-end filter. The filters I tested were:
(a) a high-end filter, the Hoya HD Hardened Glass 8-layer Multi-Coated Digital UV Filter, around $70 for 77mm.
(b) a budget filter, the Hoya skylight filter (standard version, not multi-coated), around $20 for 77mm. Note: the skylight filter has a warming effect, so for purposes of this comparison, please take that into account as part of the filter design and not an inherent characteristic of budget filters.
I've also included a separate test for an ultra-cheap generic UV filter.
I tested the filters on two lenses:
(i) a flare-resistant lens, the Nikkor 24-70 2.8G on a Nikon D3; and
(ii) a lens that is [supposedly] susceptible to flare and ghosting, the Tokina 11-16 2.8 on a Fuji S5 Pro.
Both lenses use 77mm filters so I was able to use the same set of filters for the tests.
Hit the jump for the samples.
Friday, June 8, 2012
Lightroom 4.1 Defringe Tool
Have you downloaded Lightroom 4.1 yet? If not, you're really missing out. Check out this shot:
This was shot with a Tokina 10-17 fisheye. I am working on a review of that lens but for now note that the Tokina fisheye is very susceptible to purple fringing and chromatic aberration:
Lightroom 4 includes a command to Remove Chromatic Aberration but Lightroom 4.1 takes this further and adds an additional tool for removing aberration: the Defringe tool. It has an eyedropper and all you do is click on any purple or green fringe color. Check this out:
Boom! Gone in just one click!
If you look closely there is a little bit of green fringing. Just click the eyedropper a second time, this time on green fringing.
Now both purple and green fringing are gone. Tokina should include a copy of LR 4.1 with every lens they sell! :)
This was shot with a Tokina 10-17 fisheye. I am working on a review of that lens but for now note that the Tokina fisheye is very susceptible to purple fringing and chromatic aberration:
Lightroom 4 includes a command to Remove Chromatic Aberration but Lightroom 4.1 takes this further and adds an additional tool for removing aberration: the Defringe tool. It has an eyedropper and all you do is click on any purple or green fringe color. Check this out:
Boom! Gone in just one click!
If you look closely there is a little bit of green fringing. Just click the eyedropper a second time, this time on green fringing.
Now both purple and green fringing are gone. Tokina should include a copy of LR 4.1 with every lens they sell! :)
Tuesday, June 5, 2012
Tokina 11-16: Ultrawide for Low Light Portraits
In this post, we review the Tokina 11-16 f/2.8, a crop-sensor lens with a fast constant aperture and a reputation for sharpness. Is it worth the extra cost? Hit the jump for our review and samples.
EDIT: Added comments re chromatic aberration, ghosting and flare.
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